Top award for the Stick Shed

Local icon - the Murtoa Stick Shed - is being placed on the National Heritage List next to natural places such as the Uluru-Kata Tjuta National Park and the Great Barrier Reef; other built heritage places - the Sydney Opera House, Port Arthur Historic Site, and Melbourne’s Royal Exhibition Building, and alongside our other local listing – the Grampians.

Australia's national heritage comprises exceptional natural and cultural places that contribute to Australia's national identity and encompasses those places that reveal the richness of Australia's extraordinarily diverse natural heritage.

This is Australia’s highest heritage honour, The Stick Shed, becomes just the 101st place of Australian cultural significance to be National Heritage listed.
 

The Stick Shed (The Marmalake No. 1 Grain Store) was born out of desperation and inspiration. Initially a temporary emergency building, it was erected during 1941 when the war prevented exporting the wheat harvest overseas. The Australian Wheat Board was left with a valuable resource a huge stockpile of grain, but insufficient, adequate storage for it.

Work started in September 1941 on a building designed to hold over 3 million bushels (92,500 tonnes) of wheat. The design was based on the same angle a pile of wheat forms naturally. Nearly 600 unmilled hardwood poles were used to hold up the roof.

The wartime restrictions meant that only raw, local and recycled materials were available, labour and machinery were scarce. Builders had to rely on ingenuity to overcome problems and shortages, they adopted common bush techniques to brace the poles.

What the builders erected was an adequate storage facility which has outlived its intended lifespan, but they also unintentionally created a serene cathedral-like interior amongst its forest of poles.  

Federal Environment Minister Greg Hunt said National Heritage listing meant the grain store was recognised as a significant part of Australia’s history and ensured it would be protected and celebrated for future generations. 
The Stick Shed is open this weekend on Saturday and Sunday from 10am to 4pm, as part of Muroa's Big Weekend - don't miss Australia's 101st National Heritage Site.

What's on the For Sale sign?

Historic property Kout Narin is for sale. An interesting aspect is the variant spellings of Kout Narin, from - Koot Narin, Koot Nareen, Kout Norien, Court Nahring, and the homestead area as Second Kout Narin.

The homestead in 1980, from the National Trust

Kout Narin on the banks of the Glenelg River near Harrow was originally taken up in 1840 by Thomas Norris as a 400,000 acre pastoral run. This was one of the largest of the early pastoral holdings in the colony at Port Phillip.

Edward Willis & Charles Lambert Swanston (Charles’ father and Edward’s father-in-law was Captain Charles Swanston a colonial merchant and banker after whom Swanston Street in Melbourne was named) acquired Kout Narin station in October 1846 as ‘The Glenelg River Grazing Company’. Later in April 1848 they subdivided it into Kout Narin and Kadnook. (Kadnook was subdivided into Kadnook and Buckle Kupple in August 1857, then Kadnook further broken up into Kadnook and Tallangour in August 1864, Tallangour was divided into Tallangour and Lake Paddock in April 1874.) Kout Narin was further subdivided in September 1852 into Chetwynd and Pigeon Ponds (Moree) and again in September 1859 divided into Chetwynd, Mooree (or Pigeon Ponds), Koolomurt and Wellat(t). Willis and Swanston retained a part known as Koolomurt in 1859. Swanston kept Mooree in 1859. At Koolomurt, Willis formed one of the finest merino studs in Victoria. 

The Woolshed above Salt Creek, 1974 from SLV

Second Kout Narin was part of the original Rickett’s Run or Longlands. It was first occupied in April 1840 as ‘The Glenelg Sheep Establishment’. Thomas Rickett occupied it from 1843. Ricketts Run was broken up into Clunie, Longlands and Second Kout Narin. Second Kout Narin was on the right bank of the Glenelg. A two-room slab house with a shingle roof was erected in 1846.

The original slab cottage in 1980, from the National Trust

 In 1855 Richard Brown Broughton leased Kout Narin Station from Thomas Hamilton, where he subsequently erected the woolshed and the colonial homestead, integrating the early stone house of c1848. Broughton got the freehold for the Second Kout Narin property in June 1863. He changed the name from Kout Narin to Kout Norien.

From the curving driveway towards the rectangular house with a shallow flight of steps leading up to verandah, past garden beds, taken by an unknown photographer some time during the 1960s, copyright is undetermined, from SLV

 The early colonial style rectangular plan homestead of brick and stone with distinctive roof form, glazed verandah and colonial regency details was built in 1855 with the second storey portion added at a later date. The stone was quarried on the property. The homestead was placed on the Victorian Heritage Register in 1959, and the outbuildings added in 1980.

The stone-rubble stables with latticed openings, 1980 from the National Trust

The stone-rubble cookhouse, 1980 from the National Trust

Enclosed homestead verandah

   
The associated outbuildings, slab hut and slab woolshed, form an important pastoral station group, and are examples of early vernacular construction methods.

The following set of photographs was taken by John Collins in the 1970s, and are from the J.T. Collins Collection, La Trobe Picture Collection, State Library of Victoria.

The homestead

The homestead showing the quoins around the doors

The timber slab woolshed and its split picket sheep yards with the pickets wired together. Although dilapidated the woolshed is still in use.

The stone-rubble cookhouse and adjacent meat-house

Kout Narin is to be auctioned on Friday 12th September in Hamilton and is expected to reach $1.3-1.5 million.

Footprints to the Wimmera

‘Footprints: the journey of Lucy and Percy Pepper’’ is an exhibition by Public Record Office Victoria that uses public and family records to trace the lives of an Aboriginal family in country Victoria in the first half of the twentieth century.

 

Percy & his family, c1912, from the Watkins family

It focuses on the life of Percy Pepper. Missing two fingers following a work accident, Percy with his sick wife Lucy try to make a life for themselves and their seven children, while constantly on the move across Victoria in search of work. Deemed half-castes and thereby precluded from living on Aboriginal missions, the Peppers endured constant hardship.

Original letters, photographs and public records reveal a family plunged into poverty; their attempts to 'make good' and catch a break in white society frequently thwarted.

One of about 40 Aboriginal men who enlisted in the First World War, Percy fought in France where he sustained head wounds in a shell blast. Following his discharge he was one of the few Aboriginal soldiers to secure a soldier settlement block – and with it the hardships faced by many soldier settlers.

The Pepper family's generational story is one of hardship and resilience, of sorrow and loss – and a remarkable parable about the strength of family in the face of adversity.

The exhibition has special significance in the Wimmera, as Percy’s father Nathaniel Pepper had lived on the Ebenezer Mission at Antwerp. 
The ‘Footprints’ exhibition will be on display at the Dimboola Library and Dimb-E Shop in Lloyd street from Thursday 18^th till Tuesday 30^th September. 
An official opening will be held in the R.S.L. Hall in Lloyd Street on Wednesday 17^th September at 7pm. (RSVP to Dimboola Library Ph: 5391 4452 by 12th September)